Monday, May 20, 2013

How A Clown Made Me A Better Speaker !

                                          T.C. Hatter and Marcianne              

I have been a stand-up comedian my entire adult life. I have been fortunate to have had a variety of experiences with respect to the most effective ways to entertain and communicate with an audience. I have worked with many of the biggest names in show business and on occasion been fortunate to receive advice from them. However, most surprising to me was what I learned many years ago from an ex circus clown.

His name was TC Hatter and his wife, Marcianne, accompanied him as part of his show. To be honest, I wasn't exactly crazy about working with a clown. I actually thought that as a comedian working with a clown was beneath me. I certainly did not expect to get advice that I could use to improve my craft and advance my career. What was I going to be able to use from a guy who used to work in a Circus? I thought that observing him would be a waste of my time. I couldn't have been more wrong.

The first time I worked with TC I really had no idea what to expect. Before the show I had met with him and his wife who were both very friendly. Marcianne was warming up her clarinet and TC, half dressed, was stretching and loosening up. As we got closer to show time, I saw TC on stage arranging his props. He had everything from bowling balls to fishnet stockings to crazy gadgets I had never seen before. There was also a trunk which was yet to be opened that piqued my interest. I actually found myself wondering what was in the trunk and just how was he planning to use those props!
I finished my set and headed towards the bar to grab something to eat and watch the show. TC and Marcianne hit the stage to applause and never looked back. Marcianne sat on a stool and played the background music for TC's madcap antics. He was in full makeup and costume and was very animated in his presentation. He jumped around the stage and mimicked audience members, did magic tricks and juggled various, sometimes mismatched objects. He included audience members who were reluctant by grabbing their hand and leading them to the stage. His facial expressions were priceless along with the well coordinated clarinet playing of Marcianne. He told various stories including one of a great fishing trip. I sat in the back of the room in awe. He was killing. Everything he did was working. He had complete control of the room! I looked at my watch and noticed that he had been up there for 45 minutes and it suddenly occurred to me, like a ton of bricks, he never spoke....he never said a word....his whole act was pantomime! What? Are you kidding? I was in shock because comedians and speakers are primarily judged on their spoken words. This is the basis for connecting with their audience. I just saw a guy tell stories, relate jokes, do magic tricks and interact with the audience without speaking a word. What an incredible revelation it was to me and it still is today.

When I speak or consult with people today on effective ways to relate to their audience, I always mention TC Hatter and Marcianne to demonstrate the importance of facial expression and body movement as powerful tools that can be utilized to communicate your message.

Years later, I had the opportunity to meet Red Skelton, one of the best, all time Comedians. He was accepting an award and was quite ill at the time and confined to a wheelchair. I asked him one question, “Red, I mean sir, I am a comedian from Pittsburgh and would like to know what advice you would have for a young man in comedy.” He looked at me, tipped his hat down low over his eyes and raised it by leaning back on his chair and then took his tie and fiddled it with both hands and tossed it slightly into the air and it gently let it drop to his chest and said, “PROPS! “. And then he smiled and was whisked away. From that day on I realized there are many ways to communicate with an audience even if you never say a word!


 

Sunday, February 10, 2013

How Rocky LaPorte Made Me A Better Speaker !

                                                Rocky LaPorte        



Most of the comedians I write about on my blog are professional acquaintances but a few have become good friends. One such person is Rocky LaPorte. I met Rocky in the late eighties in a small room in Indiana . It was a bar that evolved into a comedy club during the comedy boom in that era.

Rocky seemed like a nice guy and I was generally happy to meet him, as well as work with him, that is, until we both found out that we had to stay in the same room. Now, on the road as a comic, this is usually a big deal because most comedians want their own room. There are several reasons for this, privacy being one, but also smoking, late night partying and just generally wanting to be alone to relax and prepare for the show. After the initial disappointment, we both accepted our fate and headed to the hotel.

This was going to be an experience I thought to myself as we arrived at the hotel separately. Rocky and I seemed to be two totally different types of guys with little in common. Rocky was an ex-truck driver who worked in the toughest part of Chicago who had been badly beaten, shot and stabbed all in the course of doing his job. I, on the other hand, had grown up in a small town south of Pittsburgh, attended catholic school and whose job prior to doing standup was a shoe salesman at JC Penney’s.

We settled into the room and began to prepare for the show. Rocky began to talk about his background and proceeded to show me his battle wounds and scars as though they were trophies. Feeling competitive, I tried to think of the nastiest customer I had encountered as a shoe salesmen but I held back because the challenge of dealing with old ladies with gigantic bunions really didn’t compare to getting shot on the job! Our conversation was very enlightening, as well as interesting, because inherent in all the stories that he told one thing became evident to me and that was how genuine this guy was. In spite of all the difficulties he had endured, he possessed a gentle demeanor and a natural ability to be truly funny. He could deliver a simple phrase and it would become quite funny because of his accent and the manner in which he delivered the words. His genuineness was evident.
What I learned from Rocky with respect to being a better speaker and communicator is to capitalize on the authenticity of your character. Be yourself. This isn’t easy because most performers can't identify what their genuine qualities are in addition to making those qualities appealing and funny. Rocky has mastered it. When he walks onstage and looks at the audience his first words are, "Hey, how ya doin", and the audience goes nuts. Within seconds, the people listening to him identify with what he represents and get on board for the ride. It is an extremely powerful sight to see Rocky perform. He has had many highlights in his career but I think the most impressive example of his ability as a comedian would be when he appeared on the Tonight Show for the first time. By the time he finished his set the audience was giving him a standing ovation. This is an unbelievable feat for a comedian and as of today it is unprecedented. A few years ago Comedy Central asked the viewers to vote on their favorite comedians that have ever appeared on the channel. Rocky finished second. Not bad for ex-truck driver from the southside of Chicago and in my opinion the funniest guy working today! I’m proud to call him my friend!

Tuesday, November 13, 2012

How Howie Mandel Made Me A Better Speaker !




 Years ago, I had the honor of opening for Howie Mandel at the  
Amphitheater in Pittsburgh’s Station Square. This amphitheater
is probably the most difficult outdoor venue to work in the
country. Usually these types of venues are located in quiet areas
that are conducive to concerts. Not in Pittsburgh. The place is
sandwiched between the Monongahela River and a cliff face. It
gets worse. There’s a busy highway at the foot of the cliff,  and running parallel to the river are two sets of railroad tracks. About every twenty minutes a train rumbles past the stage, maybe fifty feet away at best! Soon after Howie’s limo dropped him off, we were backstage
exchanging pleasantries when a train passed by. I wish I
had had a camera with me to catch the expression on his face.
He looked at me and asked, “These trains will stop, right?” I
shrugged my shoulders. “Not unless there’s a wreck!” Howie
shook his head and said, “You’ve got to be kidding me. That’s
going to be going on all night?”So we put our heads together and started tossing ideas around about how we could pull off a show under these circumstances.
We had to go through our material and figure out what
jokes would work and, more importantly, prepare for the pauses
we would have to build into our act whenever a train passed by.
It’s not like you get interrupted for a few seconds—some of the
trains take a minute or two to pass. This will ruin any flow or
momentum you have established as a performer.
Howie, true professional that he is, took what looked like
an impossible situation and made it work. The first time a train
passed, Howie made fun of his agent for booking him in a railyard.
He then went on to poke fun at the engineer and used the
down time to do his trademark rubber glove bit. The show could
have been a disaster, but we focused on adapting our material,
anticipated the problems that would arise, made light of our
predicament, and like the trains, moved on.  Another show comes to mind that illustrates how you cannot prepare for every situation. I was asked to emcee a student-faculty basketball game. My job was to provide running commentary during the game and perform a comedy show at
halftime. I was a few minutes into the halftime program when
a loud buzzer sounded. I didn’t think anything about it until it
happened again. And then again. It was then that I realized that
the student running the scoreboard had taken it upon himself
to sound the buzzer any time he didn’t approve of one of my
jokes. The audience thought it was hilarious. I wanted to choke
the kid. Suppressing the urge to run over and knock him off
his chair, I just went with the flow. The next time he hit the
buzzer, I said, “It’s pretty sad when a buzzer gets more laughs
than the comedian.”
You can control a lot of things, but you can’t control everything.
Be as prepared as you can by expecting the unexpected. Comedians always get the unexpected thats why we prepare for it.  As a speaker you need to prepare for it too. Before you address an audience, imagine some of things that could go wrong and  write some humorous lines around that topic. That way you are ready for the worst that could happen and your response to it will appear confident , witty and spontaneous!